The Associazione Paolo Scheggi is happy to announce, together with the Archivio Vincenzo Agnetti, that during the evening of Thursday 17 February 2022, from 18.00 to 19.30, in the prestigious Sala Fontana of the Museo del Novecento in Milan, there will be a conference dedicated to the project The Temple. The birth of Eidos. A project rediscovered by Vincenzo Agnetti and Paolo Scheggi, on show until 6 March 2022 in the FOCUS space at the Museo del Novecento.
Ilaria Bignotti, Bruno Corà, Alessandro Gori, Germana Agnetti for the Vincenzo Agnetti Archive and Cosima Scheggi for the Paolo Scheggi Association will speak.
The occasion is important to highlight some of the central themes of the project that the two artists created in Milan in 1971, masterfully combining the most radical results of their thinking and the most conceptual forms of their research.
The project, of visionary contemporaneity, is made up of architectural drawings, sketches and notes relating to a temple containing linguistic objects representing primary forms of the social, subjectivity and power, related to the artistic and theoretical research that the two artists were conducting at the time.
Due to the current quota situation, places in the Sala Fontana are limited and please write to info@associazionepaoloscheggi.com or ilariabignotti79@gmail.com no later than 14 February specifying in the subject line "REQUEST FOR PARTICIPATION IN THE CONFERENCE 17 FEBRUARY", which will be followed by an email confirmation.
In order to facilitate the Super Green Pass control procedures at the entrance, we ask you to arrive ten minutes before the start of the conference.
Only visitors with an FFP2 mask and Super Green Passwill be admitted.
Update of 1/02/2022
The seats in Sala Fontana are sold out, but it will be possible to follow the conference in live streaming on Facebook, Instagram and YouTube social channels of Associazione Paolo Scheggi. The videos will then be published on the same social networks to ensure they can also be enjoyed in the following days.
